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By Natalia St John
Our
educational spotlight is on Bryan Frank,
Broadcast News Photographer for CBS2 and
KCAL9. Bryan’s photography is being shown at
NoHo Gallery LA (5108 Lankershim Blvd) thru
June 6
How did you get started in Broadcast News
photography?
I've worked in television production since
graduating from Long Beach State University
and was always struggling in the
industrial/instructional areas of video
production. Back in the early nineties,
people I knew at the time were leaving Los
Angeles and getting work in the smaller
outlying TV markets (I'm talking
Bakersfield, Fresno and Palm Springs). I
really wasn't sure if it would work out for
me, but I managed to get hired at KBAK, the
CBS affiliate Bakersfield. It was pretty
difficult because I couldn't uproot my
family. I got the smallest apartment I could
find and made the commute every week for a
year. It was a gamble that payed off. It was
a difficult year. I was just happy to
discover a love for covering the news. After
a year, I started knocking on doors and got
a shot at freelance work with KCAL. After
only two days of freelance work in Los
Angeles, I gave notice in Bakersfield. After
five months of freelance, I was offered a
staff position. That was about twelve years
ago.
What is your favorite Broadcast
photographer and why?
I've seen a lot of work that really
impresses me, but I don't know that there's
any particular person I could name as a
favorite. As TV news photographers, much of
what we do is anonymous. There are guys I
work with who have my respect for their
ethics and their willingness to go all out
in getting the story, but I might never know
who shot what on any particular day.
What do you feel are your professional
weaknesses?
I'm probably not aggressive enough in news
situations that are more tabloid in nature.
I've always managed to get the shots I need
to illustrate the story, but when there's
twenty or thirty photographers fighting to
get a shot of Britney Spears or Lindsey
Lohan leaving court, it's a pretty good bet
I won't be the guy in the middle of that
mob.
What is a typical day working in TV as a
photographer?
We work scheduled shifts, but I could get a
call to come in early to cover a breaking
news story. After I get to the station, I
check out a microwave van and get assigned
to a story with a reporter. The reporter and
I will go to the location of the story,
interview people and try to get the
information we need to put the story on TV.
I’ll be shooting video to edit with the
interviews and information the reporter and
I have gathered. Together we edit the story
into a “package”. I’ll set up the microwave
truck, lights, audio, and camera for the
liveshot and I’ll feed the story back to the
station. When it’s time, we’ll take our
positions in front of and behind the camera,
do the liveshot and repeat for the later
shows, or if it’s the end of the shift, pack
it all up and head back to the station. I
gas the van up and put it away for the next
shift. Sometimes we have hours to put the
story together, but more often the time can
be counted in minutes.
What advice would you give to a young
photographer wanting to become a Broadcast
News Photographer?
Study composition and lighting. Make sure
you have better than basic computer skills.
Understand that the entire broadcast news
industry is changing at a faster rate than
it has in previous decades. What we do as
part of our jobs today might be different in
the coming years. Also, you should be
willing to work in another part of the
country to get the experience you need to
get a job in the news market where you'd
like to live. Get a broad education that
covers other areas as well as journalism.
Learn to do as many of the jobs in the
newsroom as you can. Our industry is
consolidating and many people are juggling
jobs that would have been done by multiple
people in the past. Learn to write and
report if you’re a photographer. Learn to
edit and eat a microwave burrito while
driving the news van if you’re a reporter.
What do you feel is the best training to
be marketable in Broadcast News Photography?
Many roads can lead to news photography.
Part of our strength as a staff is the
diversity of experience we bring to the job.
Go to college. Get an education that covers
the electronic side of Electronic Media and
learn the difference between a good
journalistic story and "infotainment". I
believe there's room for both in the world,
but if you're going to work in news, it's
good to know which one you're covering.
For the past 4 years Bryan Frank has written
a blog “beFrank” about photography. Check it
out at
www.coolshots.blogspot.com.
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