"This article
appears courtesy of the New York Foundation
for the Arts (NYFA). For additional
information about NYFA, please visit
www.nyfa.org or email
nyfaweb@nyfa.org"
By Susan Koblin Schear
You are not alone! No matter which
discipline you work in, you will find
comfort in knowing that many artists face
the same challenges. These include being
able to define their vision, evaluate their
career, and set and achieve goals.
Your career can often challenge you in
relation to where you are presently, where
you want to go, and how you are going to get
there. Many times you can be faced with
juggling your career as an artist and
supporting yourself through part- and
full-time positions. Balancing day-to-day
responsibilities, as well as personal and
family needs, can also add frustration and
challenge. The reasons for career
self-assessment and goal setting are
therefore not hard to find.
It can be difficult to sincerely ask and
answer questions about your career, but this
is what you need to do as part of career
self-assessment. You may not know the
questions to ask, but it is important to
identify them and answer them honestly. To
do this, you need to be aware of your
mission, your values, your vision, your
motivations, and your goals.
Your career needs to be developed and
planned on a long-term basis: three to five
years in advance is a common timeframe. For
some, it is easy to think about the bigger
picture and where they would like to be in
five years; for others, it is more
comfortable to be completely reality-based,
and thinking five years into the future may
be daunting. No matter; take some time and
plan where you see your career in five or
ten years. Roll it back to today. How can
you make this future become a reality? The
answer is through career self-assessment and
goal setting.
Start with your vision for the future. Where
do you want to be in five years? In ten
years? What do you want your career to look
like? What will you be doing? Will you have
altered your current discipline? Will you
have moved, retired, purchased new
equipment, or built a new space?
Next, ask more detailed questions about
where you are and where you want to be
within a certain period of time. How are you
going to get there? What resources,
including time, money, people (creative and
technical), and space will be required? Will
you need to hire others to help you, perhaps
those with complementary skill sets? Will
you need to move your visual or performing
space? Do you want to shift your focus from
process to product? Will you need to alter
the chemicals or processes that you are
using because they are too dangerous or
expensive? Is your studio space threatened
because of commercial development?
There is also value in looking back at your
career to identify highlights that you’d
like to repeat and low points that you’d
like to prevent. What has worked for you in
the past? Can it continue to work for you in
the future? What does today’s environment
offer to assist or challenge you in your
journey?
Your values are also quite important to
self-assessment. It is your belief system,
what you value, that allows you to develop
as a person and as an artist. What are your
beliefs? They are the things that are
important to you in your life, the things
you will not compromise on. Would you refuse
a project if it compromises something you
believe in? Would you not sign a contract
because you believe the other party is
unethical? Note them as you think about your
career. They will help guide you in setting
your goals.
Once you have contemplated these types of
questions, asked them of yourself, and
developed honest answers, you can utilize
goal setting to move along in your career to
newly identified milestones.
As defined by Webster’s Dictionary, a
“goal” is “the result or achievement toward
which effort is directed; aim; end.” Goals
need to be realistic, measurable, specific,
and achievable within a specific timeframe.
You may want to prioritize them if you’ve
developed too many or if some seem too
aggressive for the timeframe. “Sell my art,”
“Get a gig,” “Find funding,” and “Perform in
a show” are not examples of well-formulated
goals. “Selling five pieces at Gallery X
during the month of November” is an example
of a well-written goal. It is realistic and
specific, has a time frame, and can be
measured.
Setting goals will tremendously benefit you
with your career path, direction, growth,
and achievement of your vision. It is useful
to do so at the start of each calendar year,
planning and prioritizing at least three
goals for every three months. Include goals
that will balance your career and personal
life. They could also be goals about a
certain project or performance.
After initially working to develop your
goals on paper, evaluate them to make sure
they are not too lofty and aggressive or too
weak and demoralizing. If possible, spend
time with a family member, friend, fellow
artist, colleague, supporter, or someone
whom you trust, and review the work that you
have done. Then review your goals and
progress every three months. Are you on
track, ahead, or behind? What needs
changing, adding, or deleting? What will you
continue doing?
While understanding that goals are a
projection you desire to achieve within a
specific timeframe (e.g., yearly, quarterly,
or monthly) or for a specific project or
program (e.g., a gallery opening, a
performance, or raising money for marketing
your literary works or production), it is
quite possible that you may exceed your
goals or not fully reach them. Therefore, it
is necessary to develop the means to
measure, assess, and evaluate the outcome:
the reason that you achieved or did not
achieve your goal. What constraints or
outside factors positively or negatively
impacted the final outcome?
Over time, as you become more proficient in
this process, you will notice that
self-assessment and goal setting go
hand-in-hand with your vision. Achieving
your goals energizes you and motivates you
to go onward, toward your vision, and,
perhaps, to even to bigger things than you
thought yourself capable.
Congratulations! You are now ready to become
accountable and begin the process toward
career self-assessment, setting goals, and
developing your vision. You have been
provided with several opportunities to begin
and work through the process:
Determine if anything makes you
uncomfortable with the process of career
self-assessment and setting goals.
Examine and carefully assemble the responses
to the questions provided in this essay and
others you feel are related to career
assessment. Determine the reasons—purpose or
mission—for your art and your career.
Begin to answer the questions and develop
your vision. What other internal and
external factors impact your vision?
Work closely on identifying your goals for
the current calendar year and/or for a
specific project, program, or performance.
Based on the previous year and the upcoming
calendar year, develop a list of targeted
and specific points that you want to keep,
delete, and add. Evaluate, measure, and
assess the entire process on a continuing
basis; determine the means that are most
comfortable, realistic, informative, and
yielding for you. Make the changes
accordingly.
Share with a peer group or someone whom you
trust and feel comfortable with . . . and .
. . Enjoy the process!
Bibliography
Aldisert, Lisa M. and Terri Lonier. The
Small Business Money Guide: How To Get It,
Use It, Keep It. New York: John Wiley &
Sons, 1998.
Small-business experts Terri Lonier and Lisa
Aldisert provide the essential tools and
techniques you need to find and grow your
money masterfully.
Bristol, Claude M. The Magic of
Believing: The Science of Setting Yours Goal
and Then Reaching It. New York: Simon &
Schuster, 1991.
Millions of success-oriented Americans have
drawn on the no-nonsense techniques
described in this book to achieve long- and
short-term goals.
Cameron, Julia. The Artist’s Way: A
Spiritual Path to Higher Creativity.
Tenth edition. New York: J.P. Tarcher, 2002.
With the basic principle that creative
expression is the natural direction of life,
Cameron leads the reader through a
comprehensive twelve-week program to recover
creativity from a variety of blocks,
including limiting beliefs, fear,
self-sabotage, jealousy, guilt, addictions,
and other inhibiting forces, replacing them
with artistic confidence and productivity.
Gelb, Michael J. How to Think Like
Leonardo da Vinci. New York: Dell Books,
2000.
Gelb argues that we all can unlock the “da
Vincian” genius inside us with seven
critical principles that need to be followed
for success, whether you’re learning a new
language, studying to be a gourmet chef, or
just hoping to be more effective on the job.
Tracy, Brian. Maximum Achievement:
Strategies and Skills That Unlock Your
Hidden Powers to Succeed. New York:
Simon & Schuster, 1993.
The motivational speaker shares the secrets
of effective self-actualization, drawing on
the insights of Carl Rogers and Abraham
Maslow to offer a blueprint for change.
www.bcentral.com
From accounting to Web design, the site
showcases leading local businesses and
offers advice, pricing, and contact
information to simplify your search.
www.inc.com
“Where to start and grow your business.”
www.sba.gov
The US Small Business Administration,
established in 1953, provides financial,
technical, and management assistance to help
Americans start, run, and grow their
businesses.
www.score.org
Score is dedicated to aiding the formation,
growth, and success of small business
nationwide.
www.startupjournal.com
Information on how to start a business,
including research, financing, and hiring
employees.
Susan Koblin Schear, president of ARTISIN®,
LLC, founded the company in 1995 to offer
comprehensive business development and
management services for the arts and
culture. She brings more than fifteen years
of for profit and nonprofit management
expertise to this venture, benefiting
artists, arts organizations, and
arts-related businesses.
Schear focuses on serving artists to augment
the business side of their art careers. Her
passion for the arts, in combination with
her expertise in understanding the
challenges of an artist, allows her to
closely help her clients with career
self-assessment, planning, goal setting,
portfolio development, marketing and
promotion, business planning, time
management, and being valued as an artist.
She provides the opportunity for artists “to
balance both sides of the scale”—artist and
businessperson.
Schear’s visionary strengths allow her to be
resourceful for arts organizations and
arts-related businesses. She can provide
links to partners inside and outside the
arts and culture community while creating
and expanding economic opportunities that
are mutually beneficial and reciprocal.
Schear’s passion and participation working
in continually evolving and changing
communities benefits her clients by
customizing services and providing all
aspects of business and strategic planning,
marketing, branding, and identity. She also
focuses on collaborative development, needs
assessment, community development and
outreach, and board development. Additional
services include retreats, focus groups,
workshops, seminars, and training.
Schear is an established speaker on many
subjects associated with artists, arts
organizations, and arts-related
entrepreneurship. She is currently teaching
leadership and team building at Pratt
Institute and has also taught at New York
University School of Continuing and
Professional Studies, as well as the Fashion
Institute of Technology.
Schear serves on the boards of several
organizations that connect the arts,
entrepreneurship, and the local or national
community. She is also a member of several
arts and business-networking organizations.
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