By Ayers Baxter
Recently, I watched a TV movie made in the
nineties, MONTE WALSH with Tom Selleck.
There is a scene where he returns to find
the woman he loves has died. He visits her
body as it lies on her bed in a state of
rest. She had been generous in her life. She
was caring, kind, helpful and loving.
MONTE'S friend explains how she waited for
him and held tightly onto a treasure chest,
up to the end. MONTE WALSH (Tom Selleck)
examines the contents and finds a lock of
his hair, which she had saved years earlier
after she had given him a haircut. He then
takes scissors, cuts a lock from her corp’s
hair and places it in the treasure chest
beside his lock of hair.
In watching this movie and
especially this scene, visions of some of my
experiences screened like a kaleidoscope of
images and feelings sprang up within the
memories in my head. And, in a silent and
clean way, I cried.
I remember holding my father's hand as I
read aloud from Psalms 71, "In thee oh Lord
do I put my trust, let me never be
confused…" And I as did, I felt him squeeze
my hand tightly as he grasped for his last
breath of air and held it until he could not
hold onto it any longer and then, he gave
into death what he had given into life,
himself, fully.
I also remember Mary, a
girlfriend in Iowa, who had taught me so
much and who was so generous with her time
and interests in me, while I lived perfectly
self-interested as Monte Walsh seemed to be.
I thought about where she might be and what
she might be doing. Was she well? Is her
life fulfilling? I could imagine many great
things she must have done and still is doing
and how I have missed out on her seeing
joy.
I also remembered by best
friend in Hayward, California. Bill Garcia
showed me what a great friend could do. When
I was leaving from California State
University at Hayward for graduate school at
the University of Iowa, I had no financial
means of getting there. I was an
actor/writer/director who had no assistance
from my family, at that time. And my own
personal wealth was contained inside my
brain and my athletic body. All other forms
of wealth were my wonderful friends who did
their level best to assist me, if not
financially, then, spiritually and by way of
encouragement.
I was acting at PCPA (Pacific
Conservatory of the Performing Arts) in
Santa Maria, California when I received the
letter from the University of Iowa. Dr.
Oscar Brownstein, the Head of Playwriting in
the world renowned Writer’s Workshop offered
me a graduate position in the playwriting
program. When I asked Allen Fletcher, a
director at PCPA and ACT (American
Conservatory Theatre in San Francisco), what
I should do, he said without hesitation,
“Go.” Since I respected Allen immensely, I
called Dr. Brownstein and informed him that
I would accept his invitation if he could
allow me to complete my commitment with
Allen and Donovan Marley at PCPA and allow
me to register three weeks late. He
corrected me by saying, “Call me “Okkie”
(pronounced “Ahkey”) from now on.” “Thanks
Okkie.” Thus began an adventure of a
lifetime.
For one thing, I had no
money. Go figure. I was acting in theatre
for a living. And my car was shot. Another
story, painful but true. I junked it and
picked up a hundred bucks. Everything I
owned, besides the cloths on my back and the
guitar I carried everywhere, was locked in a
girlfriends old cellar up in Hayward,
California.
Jane was terrific. She
offered to drive down from where she worked
in Yosemite Lodge, Yosemite Valley to Santa
Maria and pick me up. A couple of hundred
miles. What a girl. Beautiful natural white
blonde and a body Jennifer Aniston would die
for. Sleek without being anorexic. Generous
as generous could be, she picked me up in
Santa Maria… first words out of her mouth
was, “I loved your red Carmon Ghia! I’ll
miss that rusty old convertible…” and then
dropped me off in Hayward, while I arranged
for a ride east as far as I could get
without costing a fortune. “When you drive
east, stop in Yosemite. You can sleep in my
tent,” Jane said as she left to go back to
work 150 miles away.
I had arranged a good deal.
At least it seemed like one when I arranged
it. I was to pick up a brand new sports car
in San Francisco and drive it east to
Salina, Kansas. Salina was the oldest city
in Kansas, other than the thousand years of
Native American campgrounds. The first
original woodened houses built by the first
European pioneers to settle there were still
standing together in a small community a few
miles from the center of town. And I was
driving a car owned by the son of one of
those original descendents. Pure blooded
Kansan. He had graduated from Stanford
University. He dreaded the idea of driving
thousands of miles when he could fly home.
So, he advertised in the San Francisco
Chronicle for someone to drive his car to
Salina. He paid for gas. All I had to do was
drive. Sounded like the perfect ride at the
time. He’d fly, meet me at his old log
cabin, and take me to a bus stop. I’d catch
Trailways from there to Kansas City and then
up to Iowa City and the University. Well, at
least I’ll get to see the country.
Before I left the Bay Area,
which wades at the shore of the San
Francisco Bay, I decided to visit every one
of my friends who still lived there. A quick
but certain way of saying “Bye” with few
regrets. At the same time, I started selling
everything I couldn’t carry on a bus, since
that would be the final mode of transport to
the cornfields of Iowa. And almost too
verbatim all of my friends and friends of
friends said in exclamation point, “Why the
hell are you going to Iowa? That’s for
hicks, cowboys and corn pickers. You’re used
to Berkeley, hippies and free love. Not
theatre in a barn.”
True. They had a point. I had
long hair. I was golden tan. A surfer kid. I
had surfed Mission Beach in San Diego,
Pacific Beach, La Jolla. I had lived on the
beach in summers. Body surfed the big ones
in Santa Cruz and Natural Bridges. And
although the free love was never as free as
anyone says it was, I did like California
girls. “I wish they all could be
California…” So, I considered the fact that
they may just be correct. Maybe I was about
to step into corn and cow shit. But everyone
who knew about the best schools for writers
said that the U. of I. was the best.
Tennessee Williams and Kurt Vonnegut went
there. Wow, pretty impressive for a hick
surfing actor from California. So, I did my
level best to laugh at their Iowa jokes and
sold everything from my radio, telephone,
cloths and other junk. Packed the old
letters I had in my old army trunk. Stored
it in my girlfriends’ sisters’ basement and
counted my money before I left. I had about
$100 dollars. Just enough to pay for my bus
ticket from Salina to Iowa City. Nothing to
eat on though.
I realized it was time to
truly decide how badly I wanted to go back
to school. You see, the dormitory costs were
about $1200 a semester. Out of state tuition
was $1150 a semester. That came to $2350 a
semester and that’s not paying for books or
any other essential items, such as tooth
paste, deodorant and clean under ware. And
where would I sleep and what would I eat
along the road on the way to Salina. I could
sleep in the car and I could sleep on the
bus. And on the way east I could stop by
Jane’s tent. That could be fun. Once I got
to Iowa I could find a job. Any job. And I
could ask for student loans. And I could ask
for government assistance. I also still had
the GI Bill. That paid $200 a month. Maybe
the dorms would accept payment by the month?
One step at a time, I said. One step at a
time.
The day I left, all of my
friends came to see me off. They had a sign
made, “IOWA OR BUST! And the girls handed me
food baskets and the guys laughed and said,
“You’ll go crazy out there. There’s nothing
to do. You’ll miss California. The girls are
the size of pigs. Don’t get one pregnant.
They shoot writers like you.”
Bill Garcia, my best friend
in Niles Canyon, just south of Hayward, had
graduated undergraduate school in Hayward
the same year I did. Although he was a 6’2’
over 200 pounds, a great left-handed
baseball pitcher who could throw in the high
90s with a curve ball that would snap your
head back and still cross the plate on the
back end, he was a new high school football
coach. And he had come to see me off. He
pulled out $150 and said, “You want to sell
your guitar? I’ll buy it. Here. I always
wanted you to teach me how to play.” And
then, he handed me the money. “I’m sorry I
haven’t got anymore.”
Now, this was a big step for
me. My guitar was a rosewood Yamaha build in
the late 1960s in mint condition and had
traveled with me throughout the USA from
singing on tour in Rhode Island,
Massachusetts, New York City, North
Carolina, South Carolina, Texas, Mexico, and
California. As much as it had a history I
would never forget and I had written many
songs on it, I thought to myself, how badly
did I want to go back to school to learn how
to be the writer I wanted to be? I took a
breath of fresh air, slightly shook my head
in the significance of the decision and
almost but not quite cried. Instead, I
smiled knowing how wonderful my friends
where to do everything in their power to
help me to my goal. None of them were rich
kids. In fact, most of them struggled as I
did to get through life. Two of them were
single parent moms. Bill had student loans
he was paying and struggling with the wealth
he was receiving from the California School
system that paid him little for teaching
full time the kids of our nation’s future.
“Thanks,” I said as I took
the money from his hands and handed him my
guitar. “You were a good friend,” I said to
my guitar. Then I packed all my bags and
headed for the BMW I was to drive to
Salina.
Before I could leave, the
girls brought out some more food to go and a
bag full of juices and chocolate milk. It
seemed like I was never going to leave and
then suddenly, it was getting to be an
overkill and I said my goodbyes. Fine. I was
resolved. I was going to drive to Jane’s
tent in Yosemite, stay for the weekend and
then head for Salina and Iowa pig farm
country. I turn the key on the engine.
Everything seemed fine. Then, Bill called
out. “Wait, I forgot your present.” I
watched Katie hand Bill a big large and long
package wrapped in colorful wrapping paper.
Bill lifted it up to stick it through the
window, but it was too large. He opened the
back door and slid it in on top of the stuff
on the back seat and said, “Don’t open it
until you get to Jane’s place. Promise?
You’ll need it up there.” “Yeah, Thanks.” A
winter sweatshirt or coat, I thought. He’s
was always telling me I was going to freeze
my balls off in Iowa. Good. I can use it.
What a friend.
The ride was easy. Driving
into Yosemite is something everyone in the
world, rich or poor, should have the
opportunity to do at least once in a
lifetime. Our eyes were made for such things
as this. Our nose was made for such smells
as this. Our ears could not be clearer than
to hear the sounds of Yosemite. When Jane
and I sat down for dinner at the Lodge where
she worked, my taste for food accelerated by
the atmosphere. My skin awoke with the feel
of the breeze that blew through the gap in
the earth. When we got to the tent she
wanted to open the big present that lay
quietly in the back seat of the car. When we
got inside and sat on the cots the camp
provided for their workers, Jane picked up
the present and carried it inside. “Wow,
it’s heavy. What’s in there?” “I don’t know.
I thought it was cloths or food or
something.” “Open it!” she said with that
delightful childlike enthusiasm she always
had. When I took it from her and felt the
weight, I panicked. I almost didn’t want to
open it. The package was beautifully
wrapped. The girls must have helped Bill. It
had ribbons twirled and a card. I read it.
Then read it softly out loud so Jane could
hear. “Break a leg. And write me a song when
you get the chance.”
My guitar sat smiling in the
bottom of the protective and padded case. I
will never forget what it is to have a
friend like Bill. I have written many songs,
since. But I have never been able to achieve
the greatness he showed in his gift to me.
Copyright 25 June 2004 Roy
Ayers Baxter, Jr. All Rights Reserved.
Reproduction of any kind without the
permission of the copyright owner is
prohibited by international copyright laws.
Roy Ayers Baxter, Jr. is available for
seminars and teaches a Writer's Lab in
Pasadena, Venice and North Hollywood. You
may contact Ayers Baxter by writing
roy@nohoartsdistrict.com |